Quodlibetica originated from the desire to write about art and visual culture in ways not confined by academic conventions or journalistic hype. Part journal, part blog, Quodlibetica fosters critical conversations about visual arts in a forum that is accessible, engaging, and committed to quality writing. Based on the Latin quodlibet, which has entered the English language as (1) a statement proposed for disputation, (2) the actual discussion, and (3) the whimsical combination of familiar elements, Quodlibetica is a space to argue eloquently and whimsically about art, find out what’s happening in the Twin Cities art scene, and engage with writers, artists, and critics, who like to think. Contact us if you want to get involved.
After Michael Sailstorfer’s Zeit ist keine Autobahn–the spinning, rubbing tire in Peter Eleey’s The Quick and the Dead–invaded our olfactory tracts with the unmistakable aroma of disintegrating rubber, we hope that Haegue Yang’s scent emitters will be kinder to our nostrils. Venetian blinds, spotlights, and infrared heaters make this a show to be curious about.
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